This is a new product photography tutorial about working with textured subjects in a studio, how to make them look not flat and preserve a texture. This tutorial includes a 30 minutes behind the scene video from the shot of this leather woman’s handbag.During this lesson you will learn how to enhance the texture of a leather subject and work on glossy metal as well as shiny parts to make them look nice and smooth. It can be tricky to photograph a textured subject with glossy parts, many times the photographer fails to either preserve the texture or create a smooth look on shiny metal parts.
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Hey guy’s. For those of you who don’t know me, my name is Joshua Geiger (GeigerFoto) and I am a commercial product photographer from Atlanta. I also work with Alex in studio and during some of his live workshops. In this tutorial, I’m going to show you how to photograph a bottle of Tom Ford Cologne that will be used for a fictitious ad. I actually created the original image for my portfolio and thought it would make a good tutorial, so I re-created the image over at Alex’s studio and recorded the process for you guy’s to watch.
I have seen cases where photographers use soft light on textured subjects and end up getting a plain and flat look on the final image.
Here are some suggestions you need to follow to avoid that plain look:
- If the subject does not have a considerable amount of glossy surfaces, start with 1-3 spot lights illuminating it from different directions. Do not start with softboxes!
- Aim lights on a sharp angle to the subject: 20-30 degrees would be a good point to start.
- Add reflectors, diffusers or use softboxes only if the photo result is too contrasted and has too many unwanted dark areas. To soften the look, I would suggest starting by placing white reflectors around your subject while still using spot lights.
https://www.photigy.com/product-photography-bts-alien-perfume-bottle-shot-and-some-purple-paint/
Professional Photography Courses and Interactive Online Training programs for beginners and professionals.
Hey guy’s. For those of you who don’t know me, my name is Joshua Geiger (GeigerFoto) and I am a commercial product photographer from Atlanta. I also work with Alex in studio and during some of his live workshops. In this tutorial, I’m going to show you how to photograph a bottle of Tom Ford Cologne that will be used for a fictitious ad. I actually created the original image for my portfolio and thought it would make a good tutorial, so I re-created the image over at Alex’s studio and recorded the process for you guy’s to watch.
This is a new product photography tutorial about working with textured subjects in a studio, how to make them look not flat and preserve a texture. This tutorial includes a 30 minutes behind the scene video from the shot of this leather woman’s handbag.
Hey guy’s. For those of you who don’t know me, my name is Joshua Geiger (GeigerFoto) and I am a commercial product photographer from Atlanta. I also work with Alex in studio and during some of his live workshops. In this tutorial, I’m going to show you how to photograph a bottle of Tom Ford Cologne that will be used for a fictitious ad. I actually created the original image for my portfolio and thought it would make a good tutorial, so I re-created the image over at Alex’s studio and recorded the process for you guy’s to watch.
In this tutorial, Vadim Chiline, a professional commercial photographer specializing in luxury products will share the 3 must-know light modifiers you must master in order to become a successful commercial product photographer.
This is a retouching video lessons showcasing how to use Adobe Photoshop to prepare product images
https://www.photigy.com/cosmetic-photography-assignment/
Commercial photographer, co-founder and teacher at Photigy Photography School takes you into Behind the Scenes of a product photography. This course is for beginners as well as for those who are already familiar with product photography and want to master their skills.
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